Photo credits: biarritzzz, photo by Ariana Nuala. María Inés Rodríguez, photo by P.K. Design: Lauretta Kubbi/Kunsthall Trondheim. Logo design by NODE Berlin Oslo
Welcome to an online artist talk series, in connection to the exhibition and project Attention After Technology, a series that aims to give more insight into the two-year-long project via conversations between the participating artists and project partners. This time, artist biarritzzz will be in conversation with María Inés Rodríguez (Tropical Papers).
The conversation will be held in English, with a duration of 40 minutes. It will be possible for the audience to ask questions in the last 10 minutes.
Click here to join the conversation via Zoom!
The exhibition and project Attention After Technology explores the role of algorithms today, the ways in which they affect us, and how we could imagine them otherwise, through newly commissioned works by seven international artists: biarritzzz (Brazil), Vivian Caccuri (Brazil), Shu Lea Cheang (USA/Taiwan), Kyriaki Goni (Greece), CUSS Group (South Africa), Femke Herregraven (Netherlands) and Berenice Olmedo (Mexico).
biarritzzz (b. 1994, lives and works in Recife, Brazil) is an anti-disciplinary transmedia artist who believes in magic and low resolution as important counter-narratives to live what she refers to as the current cosmological dispute of realities. She has exhibited in Pivô, A.I.R Gallery, The Wrong Biennale, FILE, The Shed NY, among others. Her works are represented in Rhizome Artbase (New Museum), KADIST Foundation, IMS, and MIS-SP (Museu da Imagem e do Som de São Paulo) permanent collections.
María Inés Rodríguez is a French-Colombian curator. She is currently Director of the Walter Leblanc Foundation in Brussels and serves as a curator at large for Modern and Contemporary Art at MASP – Museu de Arte de São Paulo Assis Chateaubriand. In parallel, Rodríguez is part of Tropical Papers, an inclusive cultural forum, which she founded in 2005, dedicated to developing a reflection on art, architecture, design and scientific research with practitioners from and in the tropics. Her career includes leadership roles at institutions like CAPC Musée d’Art Contemporain in Bordeaux, MUAC in Mexico City, MUSAC in Spain, and Jeu de Paume in Paris. Since 2017, she is Member of the Martell Foundation’s Board in France, Member of the jury of The Lise Wilhelmsen Art Award Programme 2019-2024 at the Henie Onstad Kunstsenter in Norway. She also advises the Rijksakademie van Beeldende in Amsterdam and the KADIST Foundation in Paris.
The online talk series is a collaboration with Tropical Papers’ [SUNDAY BRUNCH]. Intended as an intersectional laboratory, [SUNDAY BRUNCH] is an online meeting place where we are invited to listen, observe, share and enjoy a sensitive experience through images, poetry, sound, cooking and dancing.
The exhibition period for the Athens exhibition at State of Concept Athens is 24 February – 27 April, 2024.
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Overview talks
16.11.2023 (12 pm-12.40 pm EST / 6 pm-6.40 pm CET)
Stefanie Hessler (Swiss Institute) with artist Shu Lea Cheang and her project advisor Whit Pow
03.12.23 (12 pm-12.40 pm EST / 6 pm-6.40 pm CET)
Lars Bang Larsen (Art Hub Copenhagen) with the artist collective CUSS Group
18.02.24 (12 pm-12.40 pm EST / 6 pm-6.40 pm CET)
María Inés Rodríguez (Tropical Papers) with artist biarritzzz
29.02.24 (12.30 pm-1.10 pm EST / 6.30 pm-7.10 pm CET)
iLiana Fokianaki (State of Concept Athens) with artist Kyriaki Goni
Project Coordinator: Kunsthall Trondheim
The project is led by: Kunsthall Trondheim and Swiss Institute New York
Project Partners: Art Hub Copenhagen, Tropical Papers and State of Concept Athens
Associated Partners: The Friends of Attention, D. Graham Burnett (Princeton University), Justin Smith-Ruiu (Université de Paris), and the Swiss Institute New York
Funded by the European Union
Artist advisors: Pedro Victor Brandão, Delinda Collier, Kate Crawford, Flavia Dzodan, Whit Pow, Joana Souza
Project ambassador Trondheim: Gulabuddin Sukhanwar
Attention After Technology is funded by the European Union, and supported by IDM Dispenser. The Trondheim exhibition was additionally supported by SpareBank 1 SMN, Arts and Culture Norway, The Fritt Ord Foundation and Mondriaan Fund.